Slayyyter turns “Hey Boyyy” into a strange romantic road trip, traveling from Hollywood to Paris with a skeleton by her side. Directed by Slayyyter herself, the video mixes dark humor, fashion and deliberately macabre imagery with the song’s more vulnerable take on new attraction, creating a love story that feels playful, surreal and unmistakably hers.
Slayyyter gives “Hey Boyyy” one of her most unusual visual concepts yet, placing a skeleton in the role normally reserved for the object of affection and sending the unlikely couple from Hollywood to Paris.
The video begins in Hollywood before shifting to the French capital, using the journey itself as part of......
Olivia Rodrigo leans into playful holiday chaos for the “Take Me Home (4 Christmas)” video, surrounding herself with loud Christmas sweaters, family-game energy and surprise appearances from Cynthia Nixon and Ben Marshall. The festive visual keeps the tone light and self-aware, turning Rodrigo’s first Christmas song into a warm, slightly absurd seasonal gathering rather than a polished winter fantasy.
Olivia Rodrigo keeps Christmas deliberately playful in the video for “Take Me Home (4 Christmas),” choosing family-room chaos over snow-covered spectacle. The clip places her in the middle of a festive gathering where oversized sweaters, party games and comic......
JISOO gives “ADDICTED” a dark, performance-driven visual built around choreography, water and a more intense solo presence. The BLACKPINK singer uses the video to match the song’s theme of attraction becoming difficult to control, moving between precise dance sequences and atmospheric shots that keep the focus on physical expression rather than a literal storyline.
JISOO pushes the visual side of “ADDICTED” toward a darker and more physical space, using choreography and water as the main elements of the video rather than building the song around a conventional narrative.
The clip places her in a shadowy environment where movement becomes central to the way......
Harry Styles turns a relationship that has run its course into an elegant dance in the “Coming Up Roses” video, using the waltz as the visual language for a love that can still be meaningful without lasting forever. The clip pairs the song’s bittersweet perspective with graceful movement, placing Styles among both hopeful and heartbroken romantics as they move through changing emotional connections.
Harry Styles approaches the end of a relationship with unusual lightness in the video for “Coming Up Roses.” Rather than presenting heartbreak through confrontation or dramatic collapse, the visual turns it into a dance, with Styles guiding a collection of lovers......
Andi Dhoska gives “I Just Called” its official visual treatment with a new 4K music video, pairing the familiar romantic message at the heart of the song with his own contemporary production approach. The clip accompanies a dance-oriented interpretation that keeps the emotion of the original composition intact while presenting it through Dhoska’s musical identity.
Andi Dhoska brings “I Just Called” to the screen with an official 4K video, giving his interpretation of the song a dedicated visual counterpart and another entry in a catalogue that regularly moves between pop, dance and reworked familiar melodies.
The song immediately draws its emotional power......
LISA turns “Tarantino” into a full-scale action sequence, starring as a sharply dressed spy who fights her way through a hotel packed with enemies. Directed by James Mackel, the video blends choreographed combat, stylish fashion and playful cinematic references, giving the track a fast-moving visual identity that feels closer to an action short than a standard pop performance clip.
LISA steps into full action-hero mode for the “Tarantino” video, turning the song into a three-and-a-half-minute spy story built around speed, style and precision. Rather than keeping the focus on a single performance setup, the clip sends her through a hotel filled with threats, giving......
JUDELINE brings “LA FALDA” into a striking space between nostalgia and modern Latin production, pairing airy vocals with reggaeton rhythms, flamenco touches and a sample from Yann Tiersen’s Amélie theme “J’y suis jamais allé.” The result feels both cinematic and intimate, giving the Spanish artist another distinctive entry in a catalogue shaped by her Andalusian roots.
JUDELINE continues to build her own visual and musical world with “LA FALDA,” a track that pulls together several influences without allowing any one of them to dominate. The production is anchored by a recognizable sample from Yann Tiersen’s......
MILEY strips “Orbit” down to pure emotion in a minimalist new video directed by Alastair McKimm. With the camera staying almost entirely on her face, the visual avoids elaborate storytelling and lets every expression, pause and tear carry the weight of the song, turning one of Bass Persuades’ most intimate moments into a deeply personal performance piece.
MILEY keeps the focus entirely on performance in the video for “Orbit,” choosing restraint over spectacle and allowing the emotional core of the song to shape the visual from beginning to end.
Directed by Alastair McKimm, the clip avoids complicated sets, supporting characters or rapid scene changes.......
Tate McRae steps into a striking new visual era with “Housewife,” pairing the song’s defiant message with a cinematic video shot in the South of France. Built around the idea of a woman who refuses to be contained, the clip presents McRae with a sharper, more controlled image while setting the tone for the next chapter of her career.
Tate McRae makes a clear visual statement with “Housewife,” a video that feels designed to introduce more than just a new song. Shot in the South of France, the clip marks the beginning of a fresh era and gives McRae a polished cinematic setting in which image, control and transformation become central themes.
The concept......
Olivia Rodrigo and Chappell Roan turn “Expectations” into a full retro-pop spectacle with a playful new video built around fictional game shows, vintage styling and deliberately camp humor. Hosted by Talking Heads frontman David Byrne as the eccentric Johnny Johnson, the visual gives their remix an exaggerated television world where competition, friendship and pop-star chemistry take over the screen.
Olivia Rodrigo and Chappell Roan bring a strong sense of theatricality to the “Expectations” remix video, transforming the song into a series of colorful retro game-show scenarios. Rather than simply placing the two singers together for a traditional performance clip,......
